Drop-d Weekly Gig Guide: March 5th
Posted on 6th Mar 12 by Alex Millar |
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Drop-D.ie rounds up the best gigs happening in Cork this week. There ain’t many of ‘em, but they’re charming nonetheless…
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Posted on 6th Mar 12 by Alex Millar |
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Drop-D.ie rounds up the best gigs happening in Cork this week. There ain’t many of ‘em, but they’re charming nonetheless…
Read More →
Posted on 29th Feb 12 by Mike McGrath Bryan |
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“…We’re told that there are ways and means, and channels of communication and that our public officials welcome our ideas and want to build their political dynasties on us…”
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Posted on 28th Feb 12 by John O Brien |
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The Irish Metal Archive has become one of the most important resources for Irish music’s modern history. John O’Brien highlights its most recent additions.
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Posted on 24th Feb 12 by Drop-d Collective |
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Staring at the future, hanging with cats and pulling emergency attention cords – all in a few days in the final instalment of the second volume of our heroes’ tour diary.
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Posted on 21st Feb 12 by Mark Roche |
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Cork instrumental quartet VoxPossible are about to release their debut double A side single ‘Eyes for the Boys/Big Boy Beastie’, Mark Roche gets a sneak peek at what the boys have achieved with both tracks.
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Posted on 20th Feb 12 by Mike McGrath Bryan |
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A strange evening in Carlisle rattles our ex-royal heroes in their most recent entry to date.
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Posted on 9th Feb 12 by Skirmish |
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Skirmish brings us an interview with Electric Underground founder/promoter Kevin Blake on its fifth anniversary night next week.
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Posted on 7th Feb 12 by John O Brien |
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“…So after a number of posts all echoing “Yeah! Someone should set up an archive”, I said I’d give it a go…”
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Posted on 30th Jan 12 by Mark Henry Murphy |
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Punk legend, spoken word artist, singer, author, photographer, DJ, actor… is there anything this guy can’t do? Henry Rollins played Vicar St on January 22nd, if you missed it then don’t miss this review.
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Posted on 20th Jan 12 by Mike McGrath Bryan |
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“…It’s clear they haven’t learned their lesson either – iTunes’ frontend is soaking in major-label interests when it was supposed to be the great democratiser of online music sales…”
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